Quod scripsi scripsi


Gabbi 21 Brazilian from Boston
Aspiring polyglot. English teacher. Hospitality student
Chocolate. Travel. Cultures. Words. Nostalgia. Books.
Supernatural. Les Miserables. Teen Wolf. Iron Man. The Avengers. Movies.
all of the ships

winchesterandwinchester:

Just about every time we see Sam and Dean standing or walking side by side, Dean is slightly ahead of Sam. This demonstrates two things, the first of which is that Dean will always try to protect Sam and being even just an inch ahead of him puts him closer to any oncoming danger. And the second is that Sam naturally falls into step, stands back when they’re still, and instinctively stays behind Dean when danger approaches. It’s so natural that I doubt either of them realizes they do it because I have a feeling that it started as soon as Sammy could walk.

(via mishabowlegs)

radioactivemongoose:

where the heck is the “man is charmed by and falls in love with autistic woman” trope

rain man, forrest gump, adam. these fuckers are cute and simple and GET SOME, how come there are no movies where a girl has asperger’s and gets a traditionally attractive full-functioning dude who loves her

come on

(via pennyshipswincest)

out-in-the-open:

Best Winchester Brotherly Bonding Scenes

"I’m not leaving my brother alone out there" Sam replies when the Hell memory version of Sam offers him a chance to remain sane. Instead, Sam is willing to absorb all of the horrible memories - and later makes his way to Dean even though he can barely stand - because he refuses to leave his brother alone (x).

(via travellerintime)

consultingpiskies:

THEY ARE ALL OKAY, and all those things could exist in THE SAME WOMAN. Women shouldn’t be valued because we are strong, or kick-ass, but because we are people. So don’t focus on writing characters who are strong. Write characters who are people.madlori

Modeled on this post. This quote needed a gifset that featured a more diverse group of women. Because my takeaway from Lori’s marvelous answer (seriously, go read all of it) is that representation fucking matters and that great female characters do not—and should not—fit into the same cookie cutter mold. Because actual women are not one size fits all. And the irony of having that message cross my dash repeatedly with exclusively young, white, straight, cis women who match a prescriptive definition of beauty was getting to me.

(via purgatory)

luaren:

Honestly can’t wait for the 50 shades movie to normalize the manipulation of lower-level female employees. Can’t wait for the new wave of “consent is sexy” banners on the cover of cosmo. Can’t wait for teen girls to think that a controlling relationship is romantic. Can’t wait for sexualized violence to become increasingly mainstream. And most of all, I can’t wait for BDSM to be labeled a feminist revolution.

(via swingsetindecember)

r0gu3-0f-h34r7:

asexual-not-a-sexual:

I’m always like, “I WANT A RELATIONSHIP!” 

But then I realize I have no idea what I would do if I actually got one. 

What do I do after I get it? Like, do I need to take the person for walks? What do I feed them? I can’t cook that well. I had to look up a diagram to learn how to cut a pepper properly.

But now I can cut peppers really well.
So there’s that. 

I’ve been in a relationship for a year and this feeling doesn’t go away

(via canismortis)

  • Posey: first time I heard the song Rude by Magic I texted Dylan "We need to start a reggae babe"
  • Dylan: And I didn't realize he meant reggae band, so I texted him back "Alright babe."
sallygilmartins:

SHIPWRECKS, LULLABIES | for sinking, swimming, drowning; kelpies, sirens, mermaids, and sailors

i. sorrows - aidan knight | ii. lighthouse - the hush sound | iii. that sea, the gambler - gregory alan isakov | iv. sea and the rhythm - iron & wine | v. seashell - seabear | vi. song of the sea - cake bake betty | vii. in our talons - bowerbirds | viii. saltwater queen - the battle of land and sea | ix. the violent blue - electric president | x. bottom of the river - john fitzgerald grimsley (instrumental cover) | xi. deep-sea - oh land

sallygilmartins:

SHIPWRECKS, LULLABIES | for sinking, swimming, drowning; kelpies, sirens, mermaids, and sailors

i. sorrows - aidan knight | ii. lighthouse - the hush sound | iii. that sea, the gambler - gregory alan isakov | iv. sea and the rhythm - iron & wine | v. seashell - seabear | vi. song of the sea - cake bake betty | vii. in our talons - bowerbirds | viii. saltwater queen - the battle of land and sea | ix. the violent blue - electric president | x. bottom of the river - john fitzgerald grimsley (instrumental cover) | xi. deep-sea - oh land

(Source: rosebenjamins, via israphels)